THE NEW CAMBRIDGE SHAKESPEARE All's Well That Ends Well, edited by Russell Fraser Antony and Cleopatra, edited by David Bevington The Comedy of Errors, edited by T. Appendixes contain additional text and accompanying music. Several possible new sources are suggested, and the presence of Thomas Middleton's writing in the play is proposed. A wellillustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, and other dramatic adaptations.

It treats such celebrated issues as whether the Witches compel Macbeth to murder whether Lady Macbeth is herself in some sense a witch whether Banquo is Macbeth's accomplice in crime and what criticism is levelled against Macduff. A full and accessible introduction studies the immediate theatrical and political contexts of Macbeth's composition, especially the Gunpowder Plot and the contemporary account of an early performance at the Globe. MACBETH This is the most extensively annotated edition of Macbeth currently available, offering a thorough reconsideration of one of Shakespeare's most popular plays. From 1990 to 1994 the General Editor was Brian Gibbons and the Associate General Editors were A.

Braunmuller, University of California, Los Angeles From the publication of the first volumes in 1984 the General Editor of the New Cambridge Shakespeare was Philip Brockbank and the Associate General Editors were Brian Gibbons and Robin Hood. THE NEW CAMBRIDGE S H A K E S P E A R E GENERAL EDITOR: Brian Gibbons, University of Munster ASSOCIATE GENERAL EDITOR: A.

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